Filtering by Tag: history

The 2 Live Crew

We said it was the last blog of 2018 but you know what, we lied. After scrolling through all the social media’s, we got inspired. The place we ended up? Miami Bass, also known as booty music.

If ya’ll know anything about Miami’s music history you know about Miami Bass. It started in the 80’s with producers and hip-hop artists alike, searching for a “real” 305 sound. The story goes something like this:

It was 1985 when Miami based producer Amos Larkins II discovered the TR Roland 808. While he was mastering the track that would become the first ever Miami bass track, ‘Bass Rock Express’ by MC ADE, he was having a little fun (well, if you’re into drugs and strippers, a lot of fun) that distracted him just enough to make a brilliant mistake.

After partying in a local strip club - the party location of choice in Miami before South Beach became what it is today - downing a lot of liquor, smoking some weed, and doing a bunch of coke, he felt loose enough to go to the studio and do the final engineering on the track before sending it off to press. In fact, he felt so loose that he decided to bring one of the strippers with him; A decision that would obviously lead to a distracted effort but inadvertently lead to genius.

Working on the bassline with the volume lower than usual so he could focus on the sex and drugs, he recorded a track that he would have never sent off otherwise. When he heard the final product at his friends mixtape store he freaked out. In an interview with the Miami New Times, he told them how the bass “was hittin' hard and fucked up and out of phase and it was all over-compressed and shit” even noting that it was “was humming like bass from hell”.

He probably would have had a cocaine/stress induced heart attack had he not immediately been relieved by the fact that the whole store was grooving to the track -- and they weren’t the only ones. He left the store and heard it bumping from the speakers of a car that was slowly driving by in the parking lot. He was shocked. Waiving them down, he asked if they were into the song and its new sound and they basically said “Hell yeah!”.

That brings us to 2 live crew, one of the most (or the most) influential hip-hop groups reigning from the east coast. They took the Miami Bass to a whole new level, adding dirty lyrics to the already dirty beats. Let us remind you that this was the 80’s. Marvin Gaye’s “Sexual Healing” was already considered a provocative tune, what do you think the country thought of 2 live crew’s “Throw the D”? Yup, you guessed it, the old guys didn’t like it.

2 live crew, including the “pack leader” Luther Campbell, were summoned to the US Supreme Court. Faced with a monumental decision to stop making music or fight the oldies, they decided to fight the oldies (good decision). As always, the oldies lost, not getting their wish to ban 2 live’s music. From then on (and still today), they paved the way for musicians everywhere to embrace their raunchy side.

Thanks to the boys, your favorite rappers can say all the fucks and motherfuckers and bitches and assholes they can think of. Censorship can suck our dick and the oldies can too. Thanks for letting us share a little history and we’ll see you next year. For real this time ;)

BASEL 2018: Part 1

One week away from one of the busiest times of year: Art Basel. What to do? Where to go? We’re here to help.

We had our own plans for Basel that kept developing and ended with nothing. You know what, it happens. We can get frustrated, we could stop trying but that’s not the results we’re looking for. We’re here to stay as an event organization for locals and the youth, not for a short stint. Short and sweet (no pun intended), this Basel is a chance for us to learn, next Basel is the time to conquer.

Officially, Basel starts on Thursday, December 6th-Sunday, December 9th. Unofficially, Basel already began. To introduce our weekend of everything Basel before the mayhem, we’re talking about how Basel started and where to go for Basel (as a local and without an ID).

Honesty is the best policy right? Yea, we have no idea how Basel started. The only way to find out? The internet. Here’s our google search of Basel’s birth:

Art Basel began in the 1970’s as an art fair for the world. It rapidly spread and gained sponsors, kickstarting to be an art fair across the world. What do we mean? Well it began in the classy and obvious place of Basel, Switzerland. Art Basel has expanded to now include Miami Beach and Hong Kong!

We skipped the details in between because we want to focus on Art Basel Miami Beach. Spearheaded by a man named Sam Keller in 2002, Art Basel Miami Beach grew to 77,000 visitors in 2015 (including Art Miami) and more expected for 2018. There isn’t much to say about it’s migration to the Beach than money and resources. We have both.

Tomorrow we’ll be back with our favorites for Basel, including a Local Guide to Basel 2018 and some extraordinary events ya’ll won’t want to miss. For tonight, Ashley Pezotti @ MOCA and BORGORE @ Space.

HAVE A GREAT FRIDAY LOCALS!!!!

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Ultra has an Ultra problem

Ultra Music Festival. Should we stop there? Nah, you’re right. Ultra’s globally recognized as a powerhouse event company. We can’t say Ultra Music Festival and quit. It’s like foreplay that doesn't end in a happy ending, another word for it, blue balls.

To understand Ultra, we need to go back almost two decades ago. Holy fuck I’m two decades old! Anyways, on March, 1999, 7,000 people gathered in Miami Beach’s Collins Park (runs from 17th-25th street) to hear headliners Rabbit in the Moon and Union Jack. 50 performers, $30 tickets, it started with a rave.

The first Ultra was a success (kinda). It’s reported that co-founders Russell Faibisch, a Beach native, and Alex Omes, an Argentine who moved to the Beach during childhood, lost $10-20,000. Putting that into perspective to what Ultra’s become, it’s pennies.

Years go by and Ultra only grows. Working alongside Miami Music Conference (MMC), Ultra became the closer of the week-long conference to eventually be the main festival of MMC. From there, the sky was the limit. Ultra now hosts 20+ music festivals a year in 20 countries. If that isn’t amazing we don’t know what is.

Along the road to success Ultra had its bumps. Its natural for any event company, only thing Ultra had going against it is Miami. It’s people, the government, and the awful traffic.

Let’s start with the people. We just mentioned co-founders Russell and Alex. There’s a story about these big boys that goes way deeper than Ultra. 2010, 11 years after starting Ultra, Russell and Alex had a falling out. Alex was ousted from the organization and it was up to Russell to take over. This is when it gets super interesting. While locked in a years-long legal battle with his former business partner, Omes died in his sleep the day before his lawsuit against the festival was set to go to trial. Miami New Times later reported he had drugs in his system, though the autopsy was not conclusive. Bamn. Just blew your mind right quick.

We can talk more about the drug arrests, trampled security guards and the infamous “girl kissing a tree” vid you can find here. It’s all relevant to how Ultra came to be but we understand, “time is money”.

Today is what we need to address. Ultra has had continuous and prosperous growth in Miami dependent on the continued support of locals and Miami’s finest government services. That continued support ended many years ago, each year scaring Ultra to pick substitute venues (just in case). The time has come that Ultra might really need to have alternatives.

The day of VENTURE 2018, Miami commissioners rejected an agreement made between Ultra and the City of Miami. Carollo, the commissioner who chairs the agency that manages Bayfront Park (for this case the big shot), continually denies any proposals made by still CEO Russell Faibisch. His worries are the same of residents. Traffic, loud music, drugs, and safety, all important issues Ultra needs to figure out. The fact is: If Ultra doesn’t come back with an agreement commissioners will sign, well, they’re fucked.

Ultra’s in a pickle that everyone knows about. What’s their next move? Well at UMAMI we know what we would do. Get as many of those commissioners to say yes to Ultra. Let’s be realistic: Ultra brings an economic incentive to Miami, it keeps the culture of electronic dance music alive and it serves as a ritual to almost any local who knows Miami for what it is, the magic city.

Since we’re here anyways, if Ultra has to move, where would it be? The Everglades? Hard Rock Stadium (Rolling Loud Part 2)? Homestead-Miami Speedway? No matter what, Ultra will be here March 29-31st. For fucks sake, tickets already sold. Comment below.

Curious to know more? Click on  LOCALS ONLY  and we’ll take you through an interactive journey.

Curious to know more? Click on LOCALS ONLY and we’ll take you through an interactive journey.